Through her subversive and irreverent multidisciplinary practice, Swiss artist Sylvie Fleury (b.1961) considers the intersection of art, feminism and the fetishisation of consumer goods. In this sculpture, a pair of crossed women’s legs coloured with lustrous automotive paint protrude from a wall, while a chrome-coloured jacket rests on their lap. Its title borrows from a 1969 Rolling Stones song about infatuation, You Got the Silver, while its form directly references Secretary, a 1972 sculpture by British pop artist Allen Jones, which comprises three similar pairs of pastel-coloured legs. Jones’s work in the 1960s and 1970s was denounced by many for objectifying women’s bodies. Fleury wittily accentuates the criticism, aligning her shiny painted legs with cars – one of the ultimate objects of materialistic male desire. In so doing, she holds a mirror to systemic cultural values, asking what it might mean for a woman artist to commodify the female form.